Archive for June, 2008

Music Review: Peter Gabriel, et al.: Big Blue Ball – His Take

Big Blue Ball Album CoverAlmost 18 years in the making.

18 years is a long time: you could have a kid and send him/her to college, make a pretty good wine, or you could develop an album.

Big Blue Ball is just that: an album that began recording in 1991 and was released just a week ago. It is a compilation of recording sessions in ’91, ’92, and ’95 at Real World Studios, started by Peter Gabriel and Karl Wallinger. The album is comprised of tracks with credits so long it would take its own blog post to list them all. Some of the highlights are Joseph Arthur, Sinead O’Connor, Deep Forest, and of course, Karl Wallinger and Peter Gabriel.

To be clear, this is not a Peter Gabriel album. Although you can find it under his name in most retail/online outlets, and he does sing/provide keyboards/bass on many of the songs, it is a creation which crosses a lot of boundaries. Quite a few of the albums are sung partially or completely in other languages than English, so if that’s not your thing you may want to just select the tracks individually off of the online outlets. However, if you’re looking for a true World genre experience, then you have found it.

The seventeen or so years of production show on this album, and it emphasizes why musicians are called artists. This is not a repeat of Gabriel’s previous albums, such as So or Security (AKA Peter Gabriel 4) which have earned him such great success on the radio. This is not to say some of the songs are not radio-friendly, it merely states the fact that the songs on this album delve beyond the usual radio-fare. Tracks such as ‘altus silva’ and ‘Jijy’ are wonderfully methodical and enveloping. ‘Burn You Up, Burn You Down’, which was previously featured in the Online Action Game URU, based on the MYST franchise, is here as well, although further developed from its 2004 incarnation. The lead single, ‘Whole Thing’ has been featured on a few radio stations, but failed to gain traction nationwide.

It’s hard to pick a best song off of this disc, as they are all so varied, and it definitely depends on your mood at the time, but if you can only sample a few songs off the album, I recommend ‘Altus Silva’, ‘Exit Through You’, and ‘Whole Thing’. But you won’t be remiss if you purchase the whole album.

Design Resource: Colourlovers.com

COLOURLovers | Fight for love in the color revolution For those of you who are in love with crayons, the color palettes of comic book heroes, or trends in magazine colors, ColourLovers.com is for you. Created as a way for designers to get inspiration and shares colors and palettes, ColourLovers was recently featured in Time’s 50 Best Websites 2008 list and also recently surpassed their 1,000,000th Named Color.

The simple idea behind CL is that users give names to colors (similar to the way crayons have names), and use these colors in palettes and patterns. But CL goes much deeper than this. You can upload an image and it will automatically pick out the major colors in it for you to use as a palette. The palettes can be downloaded in a variety of formats, including PhotoShop, Illustrator, or just plain ol’ HTML (there’s also an api so you can extract colors or palettes in a friendly xml file for use as a website theme generator or to share with others).

In addition to the color resources provided for designers, there’s also a blog which regularly looks into colors from various themes, ranging from NES Video Games to Skateboards or Mantis Shrimp. If it’s an inspiration for new design, it can be found in the CL blog. They also take a look at designs in both magazines and websites, keeping you abreast of the latest trends in print and the web.

With so much to offer both the designer and the color-loving non-designer, ColourLovers.com is a definite hit and a valuable resource that can absorb you for days.

You can visit me right here to see my profile on ColourLovers.com.

Music Review: Poets of the Fall: Revolution Roulette – His Take

When you think of Finland, you probably think of a Nordic lifestyle: Fishing, Snow, and Ice Palaces. You may not think of music. Yet recently two bands have come out of Finland with a lot of presence. The first is HIM, the first Finnish band to have an album certified Gold in the United States. The second is Poets of the Fall, a slightly newer band whose third major album release is titled Revolution Roulette. Poets of the Fall is not currently well-known in the US but does have a strong presence across Europe. They recently played their first show in the USA at the MUSExpo in Los Angeles, demoing for record industry professionals.

For many gamers, they may have been exposed to Poets and not even known it. Poets of the Fall’s first track, ‘Late Goodbye,’ was the theme (and only) song in the sequel to the bestselling PC Game Max Payne. Max Payne 2 featured ‘Late Goodbye’ a few times, most notably playing the entire track through the credits. The song became so popular tools were developed to extract the track from the credits, as it did not exist for purchase at the time.

Following up on the success of ‘Late Goodbye’, Poets released their first album Signs of Life in 2005. A year later they came back with Carnival of Rust. Both albums were well received in Finland and Europe, including being voted Best Finnish Video of All Time for ‘Carnival of Rust’ and Best Finnish Act at the MTV Europe Awards for Signs of Life, but received little notice in the US since they were only available as imports.

Enter Revolution Roulette, their 2008 offering. The album has a lot to live up to, given the accolades of the first two albums and the pressure to make it big in the US, and it’s definitely a step in the right direction. The album is not simply “more of the same old” but shows a true progression in their musical abilities. The songs are each very in-depth and interesting in their own ways. They vary from the hard-rocking (‘Revolution Roulette’, ‘Psychosis’) to the melodic (‘Where Do We Draw The Line’, ‘Fragile’) and everything possible in between. Even within the songs the tempo and feel varies dramatically (‘More’, ‘Diamonds for Tears’). This album showcases the way Poets of the Fall can take a song and make it into a story, with a clear beginning, middle, and end. Most artists nowadays simply have one catchy beat that gets them the one-hit wonder, fading into obscurity soon after.

Probably their best offering off the album is the title track, ‘Revolution Roulette’. The song makes you feel as though you are in a stadium watching them play live at the best concert of your life. But beyond its sound, like so many of Poets’ songs, is a deeper meaning. In ‘Revolution Roulette’ it is that we shouldn’t give our lives to the precision and repetitiveness of machines, even as our technology brings us so many new things; the meaning in ‘More’ is that we should be happy with what we have, but we are constantly wanting more. ‘Save Me’ is a track that, despite its more upbeat tone, is very dark and disturbing, about being in the last days of despair. Each song has its own message, independent of one another, but the whole album remains cohesive. Their music packs the tri-fecta in music: Sound, Songwriting, and Dimension. Whereas many artists can conquer one or two of these points, it is rare to find one that can hit all three of them, which is exactly what Poets of the Fall achieves.

Also helping Poets’ case is the fact that their songs are now available in the US via iTunes. At less than $10 an album, it’s easily worth the money, but if you only have a few dollars, check out the tracks ‘Carnival of Rust’, ‘Revolution Roulette’, ‘Late Goodbye’, ‘Locking up the Sun’, or ‘Diamonds for Tears’ to get a taste of the whole experience. You can also download samples of their songs here.

Movie Review: The Happening – Her Take

I started writing a quite long-winded review of The Happening, possibly the worst movie I have ever viewed, but I decided it would be like throwing gasoline on a burn victim. So I won’t.

Movie Review: The Happening – His Take

Not a new lament, the price of movie tickets has steadily increased since the 1990s and doesn’t show any signs of stopping. Movie theatres raked in their largest sum ever in 2007, almost $9.7 Billion according to a Media By Numbers report. [PDF]. How is it then, that movie companies can still make movies like M. Night Shyamalan’s The Happening and charge $10 a ticket and $15 for a soda and popcorn?

The Happening, the newest movie by Shyamalan, is supposed to be his return to glory. One of his best films. Please, that’s like saying the Mariners played one of their best games ever last night: when everything else you’ve done looks like shit, it’s not hard to look good sometimes. But even The Happening doesn’t look good. Not even if you consider it as a B-movie going in.

The premise behind the movie is this: People are overpopulating the Earth, and Mother Nature wants to get back, so she sets loose the super-quick evolving hive mind of the plants in the Northeastern United States. The chemicals given off by these super-plants cause people to kill themselves in whatever weird way Shyamalan can come up with. That’s right, the plants kill people (in a really roundabout way). In truth, I believe everyone in the movie saw The Happening and decided they had to kill themselves. This is way more plausible.

The problems with The Happening only start with the premise. The script must never have gone through anyone else’s hands but Shyamalan’s. Not even Mark Wahlberg and Zooey Deschanel can save it. And they don’t even appear to try. The awkward dialogue feels like it was written by a third grader with a timing problem. To quote: “What color was love?” – Deschanel. “I don’t remember.” -Wahlberg. Are we supposed to feel for these characters? Then maybe there should be some character development. Throughout the movie you feel absolutely nothing for any character in the movie, if they were to die, then oh well. Your only hope is that they do die so the movie will end.

A thriller The Happening is not. Nor a scary movie. If some guy came up behind you whilst you were working and set off an air horn in your ear, would you call it scary or just really annoying? Apparently Shyamalan believes the former, because the only way Shyamalan can make The Happening scary is by having the soundtrack go from complete silence to playing a single note at volume 11.

The one positive piece to The Happening is the comedic moments. There are some truly funny parts, but only because Shyamalan appears to be making fun of himself. Had the movie been a comedy/parody throughout, I believe I would have truly enjoyed it. However, the awkward timing and horribly-written script combined with complete lack of character development and completely ludicrous plot make The Happening something that shouldn’t have ever happened.